|
Many artists
have asked me recently about protecting their images from online
theft. Downloading photos from websites is as easy as 1-2-3 so
what can you do to protect your work, and more importantly, should
you be worried about it?
1. Why is
your work online?
Lets
start by examining the reasons you have put your work online in
the first place. As an artist, having a website means that millions
of people and potential collectors are able to see images of your
work for free. A digital portfolio can reach potential galleries,
collectors, art critics, curators, museums, friends and family.
To ensure your site will be seen by as many people as possible,
it needs to be easily accessed, should be easy to navigate, with
clear images that are large enough to be seen properly on most monitors,
yet not too big that they will take too long to download .
Making it easy
for everyone to see your work of course makes the images vulnerable
to theft. What tools are available to prevent theft and are they
effective?
2. Are the
tools to protect images effective?
There have
been many attempts to prevent theft from websites, from disabling
right-click to putting watermarks on images. Unfortunately, most
of those have simple work-arounds that any tech-savvy thief will
know:
-
Flash site: though you cannot download an image from a flash
site, anyone can use the print screen function to get an image.
Get a flash site because you like the look, not because you
are told it will protect your work from copyright infringement
-
Disabling right-click: this will annoy anyone who legitimately
wants to promote your work (a blog reviewer trying to post an
image of your work for example) yet is easily circumvented.
-
Watermarks: to be effective, the watermarks would have to be
so big that no one (including potential collectors!) would be
able to see the image properly. But, a watermark which allows
the image to be seen unscathed can easily be removed by anyone
with some Photoshop expertise. Watermarks, then, seem to be
a doomed proposition.
3. Who are
the thieves anyway?
Lets
stop for a minute and think about the purposes of our potential
thieves. Possibly the most threatening would be someone stealing
images for mass printing and distribution. Imagine walking into
a Bed and Bath, and seeing your paintings on shower curtains!
Here, your
best defense is the web itself: images prepared for the web are
usually not suitable for printing, because they are at a low resolution
(72 dot-per-inch) and are typically fairly small (on average about
500 pixels or less than seven inches).
A licensing
company usually has large pools of artists doing work for them,
and basically do not need to steal art that will reproduce poorly
on their products, and lower their quality.
4. Can nothing
be done?
If you are truly worried about copyright infringement, you can
register your images with the government (see the government site
at www.copyright.gov).
The current cost to register is $45. You do not need to register
to obtain copyright.
According
to the law:
Your work is under copyright protection
the moment it is created and fixed in a tangible form that it is
perceptible either directly or with the aid of a machine or device.
You only need
to have the copyright registered if you wish to take legal actions
against someone:
Copyright exists from the moment
the work is created. You will have to register, however, if you
wish to bring a lawsuit for infringement of a U.S. work.
Beware that
an actual lawsuit against anyone can be quite expensive, and you
probably should be comfortable spending up to $5, 000 and risk not
recovering any monies.
In conclusion,
though the risks of copyright infringement do exist, artists should
probably not spend too much time worrying about their images being
stolen for nefarious purposes. Most people who will download your
images will do so with or without your permission, and usually will
not have any criminal intents (bloggers, galleries, friends, students).
For those who do, bringing any legal action against them will be
costly, time-consuming, and in the end, may not bring any reparations
or compensations.
|